This article investigates the literary phenomenon of self-referentiality in a contemporary American writer, Charles Baxter. The author makes a personal appearance in a presumably objective tale of description and representation. Analysis finds the author’s desire to comment on his own act of narration and to disclose its contradictions and limitations to the reader a motivating force behind the move. Though keeping with the self-reflexive mode of modern fiction, Baxter adds to the modernists’ recognition of lost claims to imitation and representation by criticizing their acts of creation. Self-critically he asserts that creation takes contemporary practice back to the subjective, self-expressive and self-assertive narrative conventions of the eighteenth and the nineteenth-century.
Marmaduke Pickthall is a British novelist who converted to Islam, translated the Quran and wrote profusely about the Arab world. He had an early warm reception in the literary circles of his time…
The thesis tackles Charlotte Bronte's deep interest in the East as reflected in her four major novels, The Professor, Jane Eyre, Shirley and Villette. Starting…